So True
I'm making cast resin sculptures, about half-size, of poised figures. These figures form a small pantheon, through which I reflect, and reflect on, powers and forces in today's world. These figures harness some of the world-historical currents which envelop us.
With these works, I aim to achieve an imitation of truth. The castings are formed from truths in this world, but they're just imitations. You might think being an imitation would place it lower on the totem pole. But imitations and exaggerations and allegorizations can exceed their source. It's like when, after hearing a good joke, you say, "That is so true."
There is also truth in the postures and poses of these figures. The poses in medieval statuary tell us so much about the Christian mindset during the Middle Ages. In India and China in the 7th and 8th centuries, certain bodhisattva sculpture exhibit a surprising naturalism. In their very felt features and poses, down to the slouch of their hips, they sidestep a merely totemic presence, to pull the demigod into our world. My aim is the same -- to use comportment to bring my bodhisattvas into our timeline.
With these works, I aim to achieve an imitation of truth. The castings are formed from truths in this world, but they're just imitations. You might think being an imitation would place it lower on the totem pole. But imitations and exaggerations and allegorizations can exceed their source. It's like when, after hearing a good joke, you say, "That is so true."
There is also truth in the postures and poses of these figures. The poses in medieval statuary tell us so much about the Christian mindset during the Middle Ages. In India and China in the 7th and 8th centuries, certain bodhisattva sculpture exhibit a surprising naturalism. In their very felt features and poses, down to the slouch of their hips, they sidestep a merely totemic presence, to pull the demigod into our world. My aim is the same -- to use comportment to bring my bodhisattvas into our timeline.